Greatest Living English Language Directors

10. David Fincher

If we’re just talking about the ability to take the written word and translate it to the screen, David Fincher might be the best director to debut since Spielberg. david-fincher-directingHis peerless ability to make anything watchable has resulted in one of the most consistently excellent filmographies of any major American director ever (aside from his famously troubled debut film, he hasn’t made a film worse than above average). He’s shown a Kubrick-like ability to shift between genres while keeping his signature aesthetic consistent. His first great film was the 1995 noir Seven which, with its dark themes and serial killer storyline, is both his highest grossing film after adjusting for inflation and arguably his most popular. His 1999 film Fight Club, might be among the most widely quoted(and misunderstood) film of the internet age. While I believe it’s a rather juvenile film in a lot of ways, Fincher directs the hell out of Fight Club and it’s easy to see why it remains so popular. The late 2000’s saw Fincher reinvent his style and got him his first taste of Oscar success. David_fincher2-0-660-0-0The trio of Zodiac, The Curious Case of Benjamin Button, and the Social Network saw Fincher slow down (at least for the first two) and reinvent both the Procedural and the Biopic in fascinating new ways. His last two films, The Girl With the Dragon Tattoo and Gone Girl have seen him lend his expert touch to two of the best selling novels of the last decade. While I feel Fincher often picks material that is beneath him, all of his films are must see’s as he’s arguably the most instinctual filmmaker this side of Spielberg.David_Fincher_millenium-les-hommes-qui-n-aimaient-pas-les-femmes-the-girl-with-the-drag-2-g

“Directing ain’t about drawing a neat little picture and showing it to the cameraman. I didn’t want to go to film school. I didn’t know what the point was. The fact is, you don’t know what directing is until the sun is setting and you’ve got to get five shots and you’re only going to get two.”- David Fincher

“People will say, “There are a million ways to shoot a scene”, but I don’t think so. I think there’re two, maybe. And the other one is wrong.”  – David FincherDavid_Finchermaxresdefault

Film Year
Alien 3 1992
Seven 1995
The Game 1997
Fight Club 1999
Panic Room 2002
Zodiac 2007
The Curious Case of Benjamin Button 2008
The Social Network 2010
The Girl With the Dragon Tattoo 2011
Gone Girl 2014

9. Paul Thomas Andersonpta

The most widely celebrated of the great directors to debut in the mid to late 90’s (Nolan, Fincher, and a few others), Paul Thomas Anderson is the ideal American Auteur; one of the few great American directors to also write their own films. While I think he’s a touch below Fincher and Nolan as instinctual filmmakers, PTA I think takes a more sophisticated view of storytelling and filmmaking that makes his films “events” in the same way as theirs. He is also arguably the best Actor’s Director of modern times, directing Daniel Day-Lewis and Joaquin Phoenix to some of the best performances of the 21st century, and directing everyone from Tom Cruise, Mark Wahlberg, Amy Adams, and Phillip Seymour Hoffman to their best work.paul-thomas-anderson

He burst onto the scene as a 27 year old prodigy with his second film, the Oscar nominated Boogie Nights. Hailed as the next great American director with Tarantino, Anderson has spent the time since subverting all expectations, and often exasperating critics and fans. His immediate follow-up to Boogie Nights, Magnolia, has been both praised as a masterpiece and derided as a pretentious folly. His next film, Punch Drunk-Love was a conscious attempt to make a great Adam Sandler movie. 2007’s There Will Be Blood is his only recent film to receive nearly  unanimous critical support, garnering eight Oscar nominations. 2012’s The Master saw him make his most opaque and divisive film yet. Focusing on the human need to follow “something”, The Master was named the best film of the year by many publications but ridiculed by just as many. His most recent effort, an adaption of Thomas Pynchon’s Inherent Vice, continued this divisive trend. In an age where originality is at a premium, Paul Thomas Anderson is among the most one of a kind filmmakers working.

“I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film’s abrasive and wrongfoots people then, y’know, that’s great”  – Paul Thomas Anderson

Film Year
Hard Eight 1997
Boogie Nights 1997
Magnolia 1999
Punch Drunk-Love 2002
There Will be Blood 2007
The Master 2012
Inherent Vice 2014

9. Woody Allen

woody-chair-seriousEasily the most decorated screenwriter in American film history, Allen is also one of the most prolific and celebrated directors. Among his fantastically large list of films is a massive amount of Classics, although in my opinion he’s incredible inconsistent. A glance at his filmography overwhelms you with sheer volume. I can’t claim to have seen all, or even most, of his films, but I’ve seen enough of his great movies (and his bad) to confidently rank him this high (or low depending on your viewpoint). tumblr_mo5h53iuMK1rovfcgo1_1280In my opinion, Allen is one of the few great comedic filmmakers of the last half of the twentieth century. In films like Annie Hall and Manhattan, Allen provides a literary wit and sense of dark humor that few filmmakers possess. He’s both one of the all-time great screenwriters and a competent enough director to make a film as experimental as Zelig, or to make a film as visually beautiful as Manhattan. He’s also an underrated Actor’s director, most recently highlighted in Cate Blanchett’s incredible Oscar winning performance in 2013’s Blue Jasmine, but he’s been getting great performances out of his actors for decades. While I wish he’d slow down and take more time on his movies, Allen is undoubtedly one of the most important living directors.

Woody-Allen“If my films don’t show a profit, I know I’m doing something right.” – Woody Allen
“If my films make one more person miserable, I’ll feel I have done my job.” – Woody Allen
Film Year
What’s Up, Tiger Lilly? 1966
Take the Money and Run 1969
Bananas 1971
Everything You Always Wanted to Know About Sex, But Were Afraid to Ask 1972
Sleeper 1973
Love and Death 1975
Annie Hall 1977
Interiors 1978
Manhattan 1979
Stardust Memories 1980
A Midsummer Night’s Sex Comedy 1982
Zelig 1983
Broadway Danny Rose 1984
The Purple Rose of Cairo 1985
Hannah and Her Sisters 1985
Radio Days 1987
September 1987
Another Woman 1988
Crimes and Misdemeanors 1989
Alice 1990
Shadows and Fog 1992
Husbands and Wives 1992
Manhattan Murder Mystery 1993
Bullets Over Broadway 1994
Mighty Aphrodite 1995
Everyone Says I Love You 1996
Deconstructing Harry 1997
Celebrity 1998
Sweet and Lowdown 1999
Small Time Crooks 2000
The Curse of the Jade Scorpion 2001
Hollywood Ending 2002
Anything Else 2003
Melinda and Melinda 2005
Match Point 2005
Scoop 2006
Cassandra’s Dream 2008
Vicky Christina Barcelona 2005
Whatever Works 2009
You Will Meet A Tall Dark Stranger 2010
Midnight in Paris 2011
To Rome With Love 2012
Blue Jasmine 2013
Magic in the Moonlight 2014
Irrational Man 2015

8. David Lynch

DavidLynch1The Madman of American Cinema, David Lynch has made a living off of making surreal, experimental cult films for decades now. He also made, in my opinion, one of the great uplifting films of all-time in The Elephant Man, but Lynch’s legacy rests on his bizarre, often brilliant series of dramas that defy most critical explanation.

David_Lynch_elephant-man-1980-tour-03-gHis debut film (Eraserhead) is one of the most disturbingly brilliant debuts of all-time. Following that up with the the Oscar nominated The Elephant Man, Lynch announced himself as one of the best upcoming directors of the 80’s. His work on the famously troubled Dune adaptation sent him back to making a series of bizarre film throughout the late 80’s and 90’s, including the cult classic Blue Velvet and the groundbreaking Mulholland Drive, one of the most acclaimed films of the 21st century. He’s been quite for almost a decade now, but his upcoming new season of Twin Peaks promises a return to action.

A more detailed explanation of Lynch’s work would take much longer than a blog post, but I’ll say that no one in American film is more aware of the visceral nature of filmmaking than he is.David_Lynch_tumblr_mauypvCmF11rovfcgo7_1280

“My approach to film stems from my art background, as I go beyond the story to the sub-conscious mood created by sound and images.” – David Lynch

Film Year
Eraserhead 1977
The Elephant Man 1980
Dune 1984
Blue Velvet 1986
Wild At Heart 1990
Lost Highway 1997
The Straight Story 1999
Mulholland Drive 2001
Inland Empire 2006

7. Michael Mann

One of the great stylists and innovators in modern film, Michael Mann is famous for his dark crime dramas but has, in my mind, somehow become one of the more underrated modern directors.Michael_Mann_collateral-2004-tou-03-g

He began with one the great debut films of all-time, 1981’s Thief, which also doubles as one of the more influential of all modern crime films. His 1986 Manhunter, a Hannibal Lecter film years before The Silence of the Lambs made it popular, lacks the flashy Anthony Hopkins lead performances of later adaptations, but sets the stage for the visual motifs and psychological depth that would prove influential. The Last of the Mohicans in 1992 isn’t as tightly controlled as his other films but it’s one of the best westerns/action films of the 90’s, and its climax is one of the great wordless stretches in modern movies. MichaelMann1995’s Heat is one of the great crime films of all-time and despite being somehow snubbed at the Oscars, its reputation and influence has only grown since then. The Insider in 1999 brought Mann his first, and only, real Oscar attention and is now a template for how to make a great investigative research film. Since The Insider, Mann has made a series of increasingly experimental action films, culminating in this year’s unfairly maligned Blackhat. I wrote a piece on Mann awhile back that delved deeper into his thematic fascinations if anyone is interested.

https://cineblather.wordpress.com/2015/06/13/michael-mann-retrospective/Michael-Mann-directing-Blackhat

“I don’t make much of a distinction between genius design and engineering and athletic performance and great works of art – it’s all the human nervous system seen from the inside out. What allowed Muhammad Ali to do the so-called Ali Shuffle is no different from what inspired Antonio Vivaldi.”  – Michael Mann

Film Year
Thief 1981
The Keep 1983
Manhunter 1986
The Last of the Mohicans 1992
Heat 1995
The Insider 1999
Ali 2001
Collateral 2004
Miami Vice 2006
Public Enemies 2009
Blackhat 2015

6. Quentin TarantinoQuentin-Tarantino

Probably the most culturally recognizable name in American film aside from Spielberg, Tarantino is a true savant. He’s never made an outright bad film, and his colorful screenwriting and flair for inventive narratives ensure that even his lesser efforts are immensely watchable. His ability to weave homages throughout his films into a coherent narrative with his innate ear for dialogue make him one of the most quoted of all modern screenwriters. His ability to direct a scene has been overshadowed by how influential a screenwriter he is, yet his ability to direct has allowed his scripts to be fully realized.

quentin-tarantino-by-mark-seligerHe burst onto the scene in the early 90’s with two of the defining films of the burgeoning Independent film scene: Reservoir Dogs and Pulp Fiction, both of which would spawn hundreds of copycat films throughout the decade. Jackie Brown in 1997 was an underrated homage to blaxpoitation cinema. Kill Bill in 2003 and 2004 wove together numerous genres of films into an inimitable action saga. After a slight blip with Death Proof in 2007, Tarantino has made two of his most culturally influential films, 2009’s revenge masterpiece Inglorious Basterds, and 2012’s Django Unchained, his most commercially successful work.

Tarantino has long expressed his desire to retire after 10 feature films. With his eighth about to be release, Tarantino likely has only two more films to add to his resume. Luckily for him though, he’s already done enough in seven films to be able to retire right now and leave one of the most impressive and influential filmographies of any modern director.Quentin_Tarantino_10806353154_d7f852c599_b

“Movies are my religion and God is my patron. I’m lucky enough to be in the position where I don’t make movies to pay for my pool. When I make a movie, I want it to be everything to me; like I would die for it.” – Quentin Tarantino

Film Year
Reservoir Dogs 1992
Pulp Fiction 1994
Jackie Brown 1997
Kill Bill Vol. 1 2003
Kill Bill Vol. 2 2004
Grindhouse 2007
Inglorious Basterds 2009
Django Unchained 2012
Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s